MOUSE LAMP: By Takeuchi Keishu

Mouse Lamp by Takeuchi Keishu. C.1909.

This is one of the best known designs by the artist, entitled the Mouse Lamp. It was designed for the Bungei Kurabu novel Akatsuki (Dawn) in Vol.18, No.1. Hertr, a young woman reads a letter by an oil lamp. A mouse on top of the lamp also seems to read the letter over her shoulder.

Kuchi-e (frontispiece illustrations) were made for the popular literary magazines largely aimed at the female readers in the Meiji-Taisho period; published by newly established publishers such as Bungei Kurabu, Shunyodo and Suzando. These publishing companies, among which Chuo-koronsha, Kodansha, Shinchosha still exist, published not only literary subjects but also many different everyday subjects such as cooking, sewing and hobbies as monthly publications.

BEAUTY AND THE ROOSTER: By Takeuchi Keishu

Beauty and the Rooster by Takeuchi Keishu. C.1909.

The Japanese word "kuchi-e" translates literally as "mouth-picture" and, in a descriptive manner typical of many Japanese terms, refers to the multi-color woodblock prints that were inserted into the fronts (that is, the "mouth") of literary magazines and novels during the late Meiji era. (These illustrations were also frequently referred to as "sashi-e.") Due largely to the time during which they were produced, many of these story illustrations where produced to the highest of standards, exhibiting advanced printing techniques typical of "surimono" (privately commissioned woodblocks) such as the use of "gauffrage," extensive "bokashi" shading, "burnishing," the use of metallic pigments, and highly detailed carving.

Although a few books' kuchi-e were of a smaller size that did not require folding, typically these woodblock illustrations were produced as over-sized prints that were inserted into the fronts of these books as "fold-outs." As these novels and literary magazines were typically printed and bound in a tall, narrow format, in order for the single kuchi-e illustrations to fit within the closed book, they required two folds.

Some of the most popular so-called kuchi-e prints at the end of the 19^th and beginning of the 20^th centuries were designed by Takeuchi Keishu, a student of the famous, and by many seen as the greatest Meiji artist, Tsukioka Yoshitoshi. Kuchi-e were one of the few possibilities for printmakers in Japan to make a living at the time, but at best, it was usually a meager living, even for someone as popular as Takeuchi Keishu.